Pewter and Charcoal: Colour

The final post in a series exploring black and white images of the flyfisher's world. This one takes us back to an appreciation of colour

I know. It is a contradiction. But consider the richness of contrast.

Just look at the contrast:  of shade, texture, light and dark. Think of the feelings and depth of thought that it invokes.

 

Neil (1 of 1)-2

And then, having done that, employ the technique of introducing colour, and relish the richness of it.  No one does that quite like Middleton:

“With each breath of wind the landscape shuddered, became almost liquid, a geography of colors rather than of fixed landmarks and boundaries, colors endlessly mingling one with the other. On the far west ridge, damask reds and vermillion giving way to softer Chinese reds and the blunt reds of aged wine, and these in turn, mixed with leaves of moody sallow and the dull yellow of sulphur and raw cream, and among these were newly fallen leaves still bright as jonquils” 

and he goes on with

 “ ……pumpkin orange….daring blotches of apricot…wrinkled browns….and the colour of tarnished copper and well-worn  leather “  Harry Middleton, On the Spine of Time”

Now look again:

Umgeni-29

It’s been fun exploring some quotes from books recently read and re-read. And exploring “Pewter and Charcoal”, but I will end this little series here, for a while…..

I hope you have enjoyed it.

Subscribe

To receive an e-mail each time a new story is posted

I don’t spam. I typically post a few times each month

Leave a Reply

Your email address will not be published. Required fields are marked *