I know. It is a contradiction. But consider the richness of contrast.
Just look at the contrast: of shade, texture, light and dark. Think of the feelings and depth of thought that it invokes.
And then, having done that, employ the technique of introducing colour, and relish the richness of it. No one does that quite like Middleton:
“With each breath of wind the landscape shuddered, became almost liquid, a geography of colors rather than of fixed landmarks and boundaries, colors endlessly mingling one with the other. On the far west ridge, damask reds and vermillion giving way to softer Chinese reds and the blunt reds of aged wine, and these in turn, mixed with leaves of moody sallow and the dull yellow of sulphur and raw cream, and among these were newly fallen leaves still bright as jonquils”
and he goes on with
“ ……pumpkin orange….daring blotches of apricot…wrinkled browns….and the colour of tarnished copper and well-worn leather “ Harry Middleton, On the Spine of Time”
Now look again:
It’s been fun exploring some quotes from books recently read and re-read. And exploring “Pewter and Charcoal”, but I will end this little series here, for a while…..
I hope you have enjoyed it.
I don’t always fish alone, and I often enjoy company. But some days are hermit days, full of thought and reflection, in which one becomes just a little misanthropic.
“Since fly fishing is a solitary sport, its hard not to think of other fishermen- collectively, if not individually – as the enemy” John Gierach: A Fly Rod Of Your Own.
“In trout fishing, and especially in mountain trout fishing, one angler and trout borders on the idyllic,or some version thereof. Two anglers and trout is a crowd, claustrophobic and unbearable.” Harry Middleton, On The Spine of Time”
It was a very disappointed thief who broke down my patio door in the middle of the night with an axe, in search of a flat screen TV.
All he got was an angry Great Dane and a sea of books. I only wish we had managed to give him some fast flying lead too….the bastard!
But let me put the angry thoughts of retribution aside for a moment and focus on his disappointment, and my delight: Books.
I hadn’t realised it, but books, and more specifically flyfishing books, have been in my blood for a long time. I remembered this favourite from my school days:
And I remembered my delight at being mentioned in one of Tom Sutcliffe’s newspaper articles, when I was just a schoolboy, that later became part of his first book: “My way with a Trout”.
I remember taking fly-fishing books out of the school library …the same titles, repeatedly: “Where the bright waters meet”, by Harry Plunkett-Green, and titles by Skues and Sawyer.
And looking at my own collection now, I realise that it has swelled somewhat over the years.
And I think how I relish the titles by Middleton and Duncan, and Grzelewski and Rosenbauer and Engle, and Gierach, and French, and Traver, and Leeson, and where do I stop……. I have read them all, many several times.
“Where do you get the time!” proclaimed a friend the other day. He wasn’t expecting an answer, but I gave him one anyway: “I don’t own a TV” I said. And I realise now that while the man in the dark of night who threatened to shoot our dog spoke impeccable English, it can’t have been Graeme, because he knows I don’t own a flatscreen. (One step closer to catching the thief, you might say.)
My wife and I were out to breakfast one day, and I had parked the car out front of the restaurant. I was about to lock the car when Petro pointed out that I had left something of value in full view. I re-opened the door and hid whatever it was under the floor mat. Then she opened her door and together we hid a few more items….you know, used handkerchiefs, toothpicks, that sort of thing. The sort of thing that people break car windows for. Then our eyes moved simultaneously to the back seat where I had a stack of secondhand fly-fishing books that I had just collected from the post office. We looked at them and then at one another and fell into laughter.
Later over coffee we discussed which country we might emigrate to, if ever we did that, and we decided that we would choose a country where one’s fly-fishing books were at risk of being stolen.
I have an old friend who, when he is sitting comfortably in our lounge, and a truly classic piece of music comes on the stereo, closes his eyes as he listens.
I think he sways a little too.
He certainly zones out.
He escapes the confines of our simple human surroundings, switches off the world around him, and allows his mind to soar to lofty and beautiful places in which the depth of his appreciation knows no bounds. He transcends those in the room who nod in his direction and snigger, and he rises to a place above us all.
I may have sniggered along with the others at one time. I don’t know. But I no longer do.
I too now know that lofty place. I think we all need such a place, given that to go there is all we can do in this broken and often painful world.
That place is one in which the things you choose to immerse your consciousness in, take over from all else. It is a place where the love your soul has for images, and words, and music, and beauty holds sway. It is a place that defies description, and which is unique to you alone. It is a place that acknowledges and reveres your fondest memories, and houses your own aesthetic blueprint.
My such place encompasses mountains, landscapes, weather, trout (and the waters they live in), set against a watermark of stories, and songs; all in the context of very personal memories.
I am taken to that lofty place by images. Not just any images mind you, but collections of images played out in the context of personal connections, complete with birdsong, and the sounds of a rushing mountain stream.
Those images, and everything that goes along with them, are I suppose well represented by what I post on this journal.
Here is a fairly random and possibly representative sample of those: Image Library.
I identify with John Gierach when he says “The modern depictions of fly fishing in print and video are accurate as far as they go, but they usually run heavy on gratuitous fish catching and light on the long silences that characterize the sport”. I don’t suppose it is a coincidence that McGuane writes about “The longest silence”
My silences on the water, while they are just that: Silences; can be represented by favourite music.
- The sounds of silence: Disturbed …..no, not Simon & Garfunkel, although I love that version…but you’ve gotta listen to this!
And while their names don’t fit the topic quite as poetically, take a listen to these ones too.
- Sacrifice: Sinead O’Connor
- American Pie: Madonna Its just a pity she doesn’t sing the whole thing
- Favourite mistake: Cheryl Crow
- Thumbing my way: Pearl Jam
- The Boxer: Mumford & Sons
- You and me: Lifehouse
And beautiful stories are the echoes of my own stories:
Reading list….books in which, when I got to the end I felt I had “ just finished sucking the last precious drop off the last page of a beautiful book.” (to quote Robin Douglas)
My list of such books: It is difficult to single out just a few books of all those I heave read, but here is my attempt to do that:
- On the spine of time: Middleton
- The River Why: Duncan
- Chalkstream Chronicle: Patterson
- Hunting Trout: Sutcliffe
- The Habit of Rivers:Leeson
- Where the Trout are as long as your leg: Gierach (I know, they are all brilliant)
You are a flyfisher. You are reading this blog. I think you will get it. No one else will. Close your eyes. They will snigger.
To hell with them.
“..the river moves on and on ; the heart follows, willingly, always glad to be Hunter, discoverer.” Harry Middleton
We describe rivers as living beings. The concept resonates and it allows for the attachment of a personality to a thread of water in Trout country. That seems appropriate. Yet rivers, if they are to be living things, are an anomaly, because they never die. Sure, in the lowlands, some factory may dump waste and the river “dies”. But even there, look at the Thames and its tributaries now compared to how they were in the industrial revolution! When man has burned out and imploded in millennia to come, I suspect the Thames will still be there, and I suspect it will have a healthy run of salmon.
A berg stream, will in all likelihood have a an easier go of things. Up there in a steep sided kloof there is a more evident timelessness. A recent rock fall: a fresh slab of white sandstone, skidded to a halt half way down the mountain, is still fresh thirty years on. The word “recent” takes on a new timeline. We can go back up there and throw a fly as we did half a generation ago, and it is still as it was.
In a pretty run of water a small trout will be finning, as it was back then. Its presence and purpose there as meaningless and beautiful as a dazzling brushstroke on a canvas. As one can stand in an art gallery and contemplate a work of art, in order to discover its meaning, so too, one must hike into the mountains and watch that finning Brown. In so doing you will give it meaning, but you will not be able to describe it, and every man will find his own meaning. You have to go there for yourself. Years on, you will need to go back there again to place another dot on the map of life. Two points on the page set the trajectory. They point you to where you are going.
…..thirty two years later:
My photographic equipment improved in the intervening years. I aged (a bit!). My fishing improved.The farm got expropriated. The government changed. The tree grew.
And the river stayed the same.