This cuppa was brewed up in the mountains, when the rain and cloud and wind didn’t look like letting up. Waiting this stuff out is infinitely better with good coffee.
And on the subject of waiting it out: Ted Leeson’s writing continues to delight me in a way that has me laying the open book down on my lap, after reading a particularly erudite and poetic piece, and clucking and shaking my head in awe of his ability to capture a moment or concept, with which I identify immeasurably.
“Much of the technical fly-fishing literature at which anglers have suckled for over a century possesses acutely hallucinogenic properties. Ingesting it produces weird distortions, and never more so than in the matter of hatching insects and rising fish, which generations of recreational users have been induced to believe are the default condition of the average trout stream and a routine component of the ordinary angler’s experience in fishing. While never nakedly advanced, this gravity defying assumption hovers so invisibly in the background that it verges on a form of corruption.”
Leeson continues in this vane, in what is probably the my favourite chapter in “Inventing Montana”, called, so aptly and cleverly “Wading for Godot”.
If you identify with the message that Leeson delivers in this chapter, then you could rightly mothball most of the fly-fishing books in your personal library, but you would do well to keep this one out on the coffee table:
It deals specifically with those times when trout are NOT rising to a hatch. (i.e. 99% of your time on the water)
I often grind some cardamom (elaichi) with my beans. It is something I read about, and which is not uncommon in the levant. My local coffee shop once offered a “copperccino” , which claimed to be cardamom coffee, but I was disappointed to discover that they scattered a few pinches of powder on top of the milk foam. I say go big. Throw a few pods in the grinder…say 3 in a double shot, and taste the stuff. It gives it a warmth and smoothness which is difficult to describe.
Warmth and smoothness is a fair description of the feeling I get when I sit down with my cup of coffee, open the pages of a book by Ted Leeson, and relish in the richness of his writing.
From “Inventing Montana” on the subject of fishing being a form of play:
“Modern angling is uncomfortable with the idea and prefers to regard itself more along the lines of modern medicine, as an acutely specialized body of knowledge dispensed by a priesthood of of experts. It tends to operate in the oxygen-depleted atmosphere of high gravitas or, more recently, in the overstimulated public displays of cultivated fanaticism. Those deficient in the requisite intensity – who fail to mount a sufficiently strategic angling campaign, do not whoop in ecstatic wargasm as the battle rages or pump the air with a victory fist at the climactic moment of conquest – are left to marinate in the unpleasant secretions of their own inadequacy”
“We fished these streams with a weighty sense of proprietorship, and grave recognition that we might just be the only people on earth who cared that the Trout were there at all” pg 38, Jerusalem Creek, Ted Leeson.
These words struck a chord with me when I first read them, to the extent that I immediately wrote them down in my journal. That “weighty sense of proprietorship” is exactly the feeling I get when I walk and fish my local river; a stream long forgotten by most, which I have probably written about and referred to, too much. Too much in the sense that perhaps I extoll its virtues in excess of what they really are. But after fishing there again on Sunday, and notwithstanding that the browns had a bad case of lockjaw, I am again raving about both the beauty and proximity of the place.
On the way out, my friend Ray and I stooped in at Steampunk for a brew of their good stuff, which happens to be the bean I am grinding at home at present too:
It was a very disappointed thief who broke down my patio door in the middle of the night with an axe, in search of a flat screen TV.
All he got was an angry Great Dane and a sea of books. I only wish we had managed to give him some fast flying lead too….the bastard!
But let me put the angry thoughts of retribution aside for a moment and focus on his disappointment, and my delight: Books.
I hadn’t realised it, but books, and more specifically flyfishing books, have been in my blood for a long time. I remembered this favourite from my school days:
And I remembered my delight at being mentioned in one of Tom Sutcliffe’s newspaper articles, when I was just a schoolboy, that later became part of his first book: “My way with a Trout”.
I remember taking fly-fishing books out of the school library …the same titles, repeatedly: “Where the bright waters meet”, by Harry Plunkett-Green, and titles by Skues and Sawyer.
And looking at my own collection now, I realise that it has swelled somewhat over the years.
And I think how I relish the titles by Middleton and Duncan, and Grzelewski and Rosenbauer and Engle, and Gierach, and French, and Traver, and Leeson, and where do I stop……. I have read them all, many several times.
“Where do you get the time!” proclaimed a friend the other day. He wasn’t expecting an answer, but I gave him one anyway: “I don’t own a TV” I said. And I realise now that while the man in the dark of night who threatened to shoot our dog spoke impeccable English, it can’t have been Graeme, because he knows I don’t own a flatscreen. (One step closer to catching the thief, you might say.)
My wife and I were out to breakfast one day, and I had parked the car out front of the restaurant. I was about to lock the car when Petro pointed out that I had left something of value in full view. I re-opened the door and hid whatever it was under the floor mat. Then she opened her door and together we hid a few more items….you know, used handkerchiefs, toothpicks, that sort of thing. The sort of thing that people break car windows for. Then our eyes moved simultaneously to the back seat where I had a stack of secondhand fly-fishing books that I had just collected from the post office. We looked at them and then at one another and fell into laughter.
Later over coffee we discussed which country we might emigrate to, if ever we did that, and we decided that we would choose a country where one’s fly-fishing books were at risk of being stolen.
I have an old friend who, when he is sitting comfortably in our lounge, and a truly classic piece of music comes on the stereo, closes his eyes as he listens.
I think he sways a little too.
He certainly zones out.
He escapes the confines of our simple human surroundings, switches off the world around him, and allows his mind to soar to lofty and beautiful places in which the depth of his appreciation knows no bounds. He transcends those in the room who nod in his direction and snigger, and he rises to a place above us all.
I may have sniggered along with the others at one time. I don’t know. But I no longer do.
I too now know that lofty place. I think we all need such a place, given that to go there is all we can do in this broken and often painful world.
That place is one in which the things you choose to immerse your consciousness in, take over from all else. It is a place where the love your soul has for images, and words, and music, and beauty holds sway. It is a place that defies description, and which is unique to you alone. It is a place that acknowledges and reveres your fondest memories, and houses your own aesthetic blueprint.
My such place encompasses mountains, landscapes, weather, trout (and the waters they live in), set against a watermark of stories, and songs; all in the context of very personal memories.
I am taken to that lofty place by images. Not just any images mind you, but collections of images played out in the context of personal connections, complete with birdsong, and the sounds of a rushing mountain stream.
Those images, and everything that goes along with them, are I suppose well represented by what I post on this journal.
Here is a fairly random and possibly representative sample of those: Image Library.
I identify with John Gierach when he says “The modern depictions of fly fishing in print and video are accurate as far as they go, but they usually run heavy on gratuitous fish catching and light on the long silences that characterize the sport”. I don’t suppose it is a coincidence that McGuane writes about “The longest silence”
My silences on the water, while they are just that: Silences; can be represented by favourite music.
- The sounds of silence: Disturbed …..no, not Simon & Garfunkel, although I love that version…but you’ve gotta listen to this!
And while their names don’t fit the topic quite as poetically, take a listen to these ones too.
- Sacrifice: Sinead O’Connor
- American Pie: Madonna Its just a pity she doesn’t sing the whole thing
- Favourite mistake: Cheryl Crow
- Thumbing my way: Pearl Jam
- The Boxer: Mumford & Sons
- You and me: Lifehouse
And beautiful stories are the echoes of my own stories:
Reading list….books in which, when I got to the end I felt I had “ just finished sucking the last precious drop off the last page of a beautiful book.” (to quote Robin Douglas)
My list of such books: It is difficult to single out just a few books of all those I heave read, but here is my attempt to do that:
- On the spine of time: Middleton
- The River Why: Duncan
- Chalkstream Chronicle: Patterson
- Hunting Trout: Sutcliffe
- The Habit of Rivers:Leeson
- Where the Trout are as long as your leg: Gierach (I know, they are all brilliant)
You are a flyfisher. You are reading this blog. I think you will get it. No one else will. Close your eyes. They will snigger.
To hell with them.